Stumbled across this new music video from Tacoma folk/soul band, Elk and Boar, the music project of Kirsten Wenlock (aka Elk) and Travis Barker (aka Boar). You may remember them from this year's Doe Bay Festival.
The stop-motion style "Thief" conjures a wonderful effect similar to silent films. Be patient: it grows on you.
Also the styling is pretty fabulous. Sort of like those old west photo booths I used to long to pose in at Six Flags theme parks - except less cheesy.
So, the world didn't end this morning in Seattle—but we're not out of the woods, yet, according to the DOT. Just because this morning's commute was "a skate" for some of us (not me!), we should still expect serious traffic problems as the week progresses, as people lured into a false sense of security go back to their bad old ways. Don't do it!
But it was a pretty impressive effort this morning, in the rain, dodging apparently first-time bike commuters wobbling into traffic lanes. Attitude is everything, and mine was greatly helped by:
The local theatre troupe that brought you The Adding Machine and O Lovely Glowworm continues its free Pipeline series tonight with a dramatic reading of The Lonesome West by Martin McDonagh, the twisted, yet talented, writer who brought you The Pillowman and In Bruges.
You probably already know that the new musical at 5th Avenue theatre, Saving Aimee, is written by American TV darling Kathie Lee Gifford.
Because of all the local press hovering around Gifford, however, you may not know that the musical is about the scandalous life of Aimee Semple McPherson, an infamous leader in the early twentieth century evangelist Christian movement.
Oh, WSDOT, you almost had me thinking you cared about my gut-gnawing, borderline obsessive worrying about the impending "Viaduct-pocolypse." Then today, in a WSDOT press release, comes this little masterpiece of understatement, from someone who might know better:
“We know the closure is an inconvenience for drivers, but the demolition work is a vital step in building a safer SR 99 through Seattle,” said state Transportation Secretary Paula Hammond.
According to whomever made the video, this 1-year-old baby thinks magazines are broken iPads.
You could also argue the baby thinks the magazine has scratch'n'sniff capability.
Either way, the baby is being greedy.
Thanks to an unexpected office rivalry, I find myself properly hooked on the X Factor, another Simon Cowell singing contest that has been popular in the UK for years and just crossed the pond this year.
In case you don't watch, but still care: 32 acts (narrowed from thousands) are battling to win a 5 million dollar recording contract.
Everybody loves a good line-in-the-sand scene.
That is, the classic, dramatic moment at the center of the mythic Alamo story, in which a ragtag group of wild men and outcasts occupy a mission in the middle of Mexico, er, Texas, and decide to stay and “defend” it against the encroaching Mexican army. It’s a loaded story. But then what American tale isn’t?
So the scene is envisioned by American icon and director of this movie, John Wayne:
The boys of Seattle band My Goodness are currently sitting in our office lobby, posing for pictures shot by our staff photographer Hayley Young. She's making them do all sorts of funny screaming and heavy breathing for the pictures. It's quite amusing - but they are great sports about it.
Don't know who My Goodness is? Take a moment to rock out with them here:
Last night's X Factor episode was bumped to a delayed baseball game (woe!), so we have to wait until tonight to really deliberate over which Seattle contestant is the best.
In the meantime, to respond to Brangien Davis' challenge of my preferred X Factor candidate, I submit new evidence: a video diary of Phillip Lomax, filmed as he was leaving Seattle to attend the next round of auditions.