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9 Seattleites You Should Know

Knute Berger weighs in on Seattle’s most iconic personalities, past and present, from popular musicians to historical figures

By Knute Berger December 10, 2019


This article originally appeared in the December 2019 issue of Seattle magazine.

This article appears in print in the December 2019 issue. Click here to subscribe.

Seattle is better known for its setting than for its citizens. The postcards are of Mount Rainier, Puget Sound, jumping orcas, the Cascades, the Olympics and evergreen forests. But people have often come to symbolize the city to itself, and the outside world from time to time. It’s an intriguing human menagerie that never fails to tell us something about our values. Here’s my short list of symbolic Seattleites past and present.

One of the newest is Bus Lane Woman. Here is a Seattleite seeking order and justice. She stepped into a bus lane at Sixth and Olive to tell cars that were intruding to keep out of the damn bus-only lane. She was standing for the environment, for the good citizens who take transit, for not tolerating the unwieldy mob of scofflaw car commuters. The video of her taking on car culture went viral. She spoke from the heart for many Seattleites weary of driver misdeeds. She spawned a bevy of imitators. She is not the first Seattleite to turn vigilante over cars. In 1906, when the horseless carriage was first causing havoc on city streets, anonymous protesters built speed bumps to slow down what they called “automaniacs,” who were racing around at, oh, 20 mph. Bus Lane Woman isn’t solving a problem, but she was making a point heard around the town.

A more obvious enduring symbol of Seattle is Chief Seattle. We are the largest major city named for a Native American leader. His profile is on the city seal. He’s also a symbol for how we’ve treated native peoples and culture. Although the name was intended to honor him, he wasn’t asked for his permission. The name “Seattle” itself is a mispronunciation (“Sealth” is close, “Se’ahl” even closer). He was eventually paid for use of his name, but it was appropriation. Chief Seattle’s famous speech at an 1854 treaty conference was translated, transcribed and probably later augmented by a white man for white audiences. As that speech has come down to us, it reminds us of the perpetual presence of the past, and of the resilience and importance of the Salish peoples who lived here first and helped create the city we live in. One of the most powerful lines of his speech rings true: “At night, when the streets of your cities and villages shall be silent and you think them deserted, they will throng with the returning hosts that once filled and still love this beautiful land. The white man will never be alone.” Indeed, we are not, and we best honor the chief and the native peoples with better behavior.

Back during the first decade of the 20th century, a bearded man full of tall tales became a familiar civic symbol: Umbrella Man, named for the unique umbrella hat he wore. The old codger looked like, as says, a “cross between an old Testament prophet and a raggedy Santa Claus.” He told stories about his adventures as an Indian scout and fighting in the Civil War—some were even true. He also predicted the weather. His name was Robert Patten, and he was a familiar sight on Seattle streets. We still debate using umbrellas in Seattle, but Patten solved the problem by turning the bumbershoot into headgear, and he came to symbolize the rainy city. So much so that he was also rendered by artists into a popular newspaper cartoon figure. At a time when local cops could, with no justification, arrest anyone who seemed weird or quirky, Patten mostly generated endearment. He was a street character. His picture was on postcards, his image on souvenir spoons and book covers, and more recently, he was subject of a graphic novel. In a city that likes quirky, Umbrella Man was once king.

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