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New Book Traces the Evolution of Pot Legalization in Washington and Colorado

A local writer explores the unchartered world of legal weed

0415weedbookauthor

This article originally appeared in the April 2015 issue of Seattle magazine.

Back in 2012, environmental journalist Bruce Barcott was considering voting no on Initiative 502, due to a general distaste for cannabis culture and a vague fear that legalizing marijuana might make it too available to his kids. But after a bit of browbeating by a pro-legalization friend, the author (The Last Flight of the Scarlet Macaw), who lives on Bainbridge Island, did some research and discovered the startling statistics about pot-possession arrests—and the extreme racial bias exhibited therein. He checked yes on the ballot…and wrote a book on the radical culture shift legal weed has wrought, both personally and politically.

In Weed the People: The Future of Legal Marijuana in America (Time Books; $27.95), Barcott traces the evolution of pot legalization in Washington and Colorado and the transformation of his own feelings on the subject. Having begun the journey with a “slim dossier” in terms of his own cannabis history, Barcott soon meets “potpreneurs,” visits grow sites, talks with Pacific Northwest Ballet dancers who use medical marijuana cream to loosen tight muscles, seeks out a medical marijuana card for himself, attends the Cannabis Cup, discerns a certain NIMBY pot vibe on Bainbridge, investigates the dangers of edibles, becomes irritated by the Hempfest hippie culture and now, vapes ganja a couple of times a month.

Hear Barcott read from this engaging, informative and very funny book when he speaks at Town Hall with Christian Hageseth, founder of Green Man Cannabis Ranch & Amphitheater (the “world’s first weedery,” set to open this fall in Denver) and author of Big Weed: An Entrepreneur’s High-Stakes Adventures in the Budding Legal Marijuana Business (4/21. 7:30 p.m. $5. townhallseattle.org).

 

Seattle Rock Band Stereo Embers Rekindles for One Night

Seattle Rock Band Stereo Embers Rekindles for One Night

After four years apart, the quartet reunites for a hometown show.

Bands break up, dissolve, or otherwise drift apart all the time, for all sorts of reasons. No matter what the impetus for the split, though, fans will naturally conjure images of scorched-earth implosions like Fleetwood Mac or Oasis—and optimists will note that even those two bands eventually reunited. In the case of Stereo Embers, their…

2026 Fall Arts Hit List—Visual Arts

2026 Fall Arts Hit List—Visual Arts

The must-see gallery shows of the season.

September The 2026 Recology King County AIR Program Exhibition Through September 12 Recology King County To wrap up its latest artist residencies, Recology King County presents the 2026 Recology King County AIR Program Exhibition, featuring fashion designer Janelle Abbott and photographer Eirik Johnson. Held at Mutuus Studio, the show is the culmination of a residency…

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Things I did, saw, ate, learned, or read in the past week (or so).

YOUR VOTE MATTERS Everyone has a favorite restaurant, coffee shop, or local boutique. Call me old-school, but I will die on the hill that Caffe Vita has the best coffee in town. Disagree with me? Now’s your moment to speak up. Each year, we survey Seattle magazine readers, asking them to weigh in on everything…

Studio Sessions: Ling Chun

Studio Sessions: Ling Chun

The Seattle-based artist brings playful color to ceramics and neon while exploring memory, transformation, and life between cultures.

For Ling Chun, creating begins with something sensed before it can be named. Working with clay, glass, light, and sometimes synthetic hair, the Hong Kong-born artist gives physical form to things that words cannot always hold. “For me, the magnitude of making goes far beyond the object that is eventually produced,” Chun says. “The object…