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The Urban Death Project: Should We Compost Human Remains?

Katrina Spade designs a green alternative to traditional burial and cremation

seattleite-urban-death

This article originally appeared in the October 2014 issue of Seattle magazine.

In the face of shrinking land resources and concerns about carbon footprints, what do we do with our loved ones when they die? For Katrina Spade, 37, a Capitol Hill–based designer with a master’s degree in architecture, that question arose after she had two kids and began thinking about her own mortality. Traditional burial and cremation both came with environmental consequences that didn’t sit well with her, so she proposed an alternative as a part of her master’s thesis. Called the Urban Death Project, the basic concept is a several-storied building, within city limits, in which a collective pile of bodies can compost over time and ultimately be used as fertilizer. Though not religious, Spade appreciates a sense of ritual—evidenced by her graceful renderings, in which ramps wind up to the top floor, where family members or “death midwives” could wrap the body in linen, say goodbye and gently deposit it into a heap of wood chips and sawdust (which act as a filter to break down odorous gases and limit the smell). Spade recently submitted her proposal to Echoing Green, a New York City–based philanthropic institution that supports ventures for the social good, and was awarded an $80,000 fellowship to explore the idea more fully. Easygoing and not at all morbid, she posits that the compost might be used by family members, in their yards or gardens, or by open city spaces, such as Volunteer Park, where it could supply the park’s landscaping needs. “How incredible would it be to be folded back into the city you love,” she says, “and remain a part of it forever?”

NEED TO KNOW:

1/ Even though collective decomposition makes some people wary, Spade says millennials seem to love the idea. “I hope this doesn’t mean it will take another 60 years to really take off,” she adds.
2/ Seattle is the perfect place to test the concept, Spade says, given our history of innovation and commitment to the environment. Plus, “We have a sense of pride in doing things differently.”
3/ Spade is working with 2020 Engineering in Bellingham to explore permitting and licensing, which will likely be similar to those required for a crematorium. The plan is to first build a prototype on private land outside the city.
4/ Ideally, the Urban Death Project would expand to follow the model of city library branches, where each is designed by a different architect and for the needs of a particular neighborhood.

1/ Even though collective decomposition makes some people wary, Spade says millennials seem to love the idea. “I hope this doesn’t mean it will take another 60 years to really take off,” she adds.

2/ Seattle is the perfect place to test the concept, Spade says, given our history of innovation and commitment to the environment. Plus, “We have a sense of pride in doing things differently.”

3/ Spade is working with 2020 Engineering in Bellingham to explore permitting and licensing, which will likely be similar to those required for a crematorium. The plan is to first build a prototype on private land outside the city.

4/ Ideally, the Urban Death Project would expand to follow the model of city library branches, where each is designed by a different architect and for the needs of a particular neighborhood.

 

Rearview Mirror: Wedding Bells, A Furniture Launch, and the Symphony’s New Look 

Rearview Mirror: Wedding Bells, A Furniture Launch, and the Symphony’s New Look 

Things I did, saw, ate, learned, or read in the past week (or so).

WEDDING BELLS I’ve been a bit absent from this column lately, but I think I have a pretty good excuse: I got married! It’s already been three weeks since my September 19 wedding, but I’m still reflecting on the magic of the day. My fiancé, well husband now (I can’t get used to saying it!),…

Get Blown Away: Seattle’s Glass Art Scene Takes Center Stage

Get Blown Away: Seattle’s Glass Art Scene Takes Center Stage

Now in its 8th year, Refract Seattle is the region’s premier celebration of glassblowing—arguably the most famous visual art genre in the Pacific Northwest. Pioneered by names like Dale Chihuly, Ginny Ruffner, Lino Tagliapietra, and Preston Singletary, glassblowing has remained among the area’s most prolific creative outputs, with contemporary talents such as John Hogan, Julie…

Kishi Bashi Is Ready to Feel Everything

Kishi Bashi Is Ready to Feel Everything

Ten years after Sonderlust pushed his music in a new direction, he’s bringing the pivotal album to The Crocodile—and playing it in full for the first time.

Back in March of 2012, I snagged a last-minute ticket to see Of Montreal at the Showbox. As amazing as Kevin Barnes and company were, along with tourmates Deerhoof, the biggest impression made on me was the opener, Kishi Bashi. Armed with little more than a violin, a loop pedal, and a pristine voice, Kishi…

Seattle’s Artists of Color Expo Offers an Inside Look at the Creative Life

Seattle’s Artists of Color Expo Offers an Inside Look at the Creative Life

The October 9-11 gathering features live art-making and hands-on workshops, with Seattle artist Damon Brown delivering the keynote.

More than 100 artists participate each year in Seattle’s Artists of Color Expo & Symposium (ACES), which brings exhibitions, artist talks, live art-making, and workshops under one roof. Visitors can learn a technique from an artist or hear how a childhood memory became the starting point for a piece. This year’s event takes place October…