Food & Drink

What to See This Fall: Film

By Seattle Mag August 25, 2015

0915fallartsfilm

This article originally appeared in the September 2015 issue of Seattle magazine.

The Seattle indie filmmaking scene is currently thriving, thanks to locally based filmmakers such as Lynn Shelton, Megan Griffiths, Mel Eslyn and Lacey Leavitt, who make it a priority to film in Washington state. (Follow the Keep Film in WA campaign at washingtonfilmworks.org.)

Stay abreast of new work from local up-and-comers at the Northwest Film Forum’s Local Sightings Film Festival (9/24–10/3; localsightings.nwfilmforum.org), the annual event showcasing the diverse perspectives of Northwest filmmakers. This year’s lineup features stories about a male escort turned deli owner (The Sandwich Nazi), a funny girl with a death wish (Killing June), a Christian fundamentalist road trip (Children), a Nepalese girl striving for an education (Drawing the Tiger) and the legendary guardian of the Samish people (Maiden of Deception Pass). 

Prefer to ingest your movies in a thematic splurge? Look to SIFF (siff.net) for its popular mini festivals: Women in Cinema (9/17–9/20) reveals the modern world as seen through the female gaze; French Cinema Now (10/22–10/29) offers a contemporary take on liberté, égalité and fraternité; and Cinema Italian Style (11/12–11/19) showcases new reels from the filmic land of plenty.

Also worth gorging on is Nightfall, the 38th annual film noir series at SAM (9/24–12/10; seattleartmuseum.org), whose dark and moody movie gems include Scarlet Street (1945), Fritz Lang’s take on the femme fatale, and Johnny Stool Pigeon (1949), in which Shelley Winters plays the girlfriend of a heroin smuggler who falls for a narc. Now that’s noir.

Explore more 2015 Fall Arts events here.

Prefer to ingest your movies in a thematic splurge? Look to SIFF (siff.net) for its popular mini festivals: Women in Cinema (9/17–9/20) reveals the modern world as seen through the female gaze; French Cinema Now (10/22–10/29) offers a contemporary take on liberté, égalité and fraternité; and Cinema Italian Style (11/12–11/19) showcases new reels from the filmic land of plenty. Also worth gorging on is Nightfall, the 38th annual film noir series at SAM (9/24–12/10; 
seattleartmuseum.org), whose dark and moody movie gems include Scarlet Street (1945), Fritz Lang’s take on the femme fatale, and Johnny Stool Pigeon (1949), in which Shelley Winters plays the girlfriend of a heroin smuggler who falls for a narc. Now that’s noir

 

Follow Us

Finding Place in Pictures

Finding Place in Pictures

Artist Sky Hopinka’s first solo museum exhibit in the northwest showcases his creative approach to language and identity

“I had cassette tapes and workbooks, but it was hard because I was living in Washington, and my tribal language has roots in Wisconsin,” Sky Hopinka says. Learning alone, he could listen to prerecorded Hocak phrases and practice writing letters and words, but an essential component was missing — another person to speak with. Photo

Feeding Ghosts to Free Them

Feeding Ghosts to Free Them

Artist Tessa Hulls creates a revealing graphic novel to help her deal with childhood trauma

Seattle artist Tessa Hulls’ new graphic novel Feeding Ghosts is a deeply stirring narrative of loss, mental illness, and intergenerational trauma. She says that she wrote it to answer this question: What broke my family? Much of the book is about repetition, and how three generations of women in Hulls’ family were emotionally crippled by

Seattle Launches Public Poetry Campaign

Seattle Launches Public Poetry Campaign

Short poems on sustainability will crop up across the city in April

Poetry installations will appear across Seattle starting April 1 as part of the city’s Public Poetry campaign...

Beauty and Diversity in Art

Beauty and Diversity in Art

Seattle's art scene is embracing more voices and viewpoints than ever

Seattle has become something of a hot spot for diversity in the arts...